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Celina Glass Art: „In my latest collection, ...

Celina Glass Art: „In my latest collection, rings have become the focal point”

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Celina Szelejewska-Pigulla‘s art reflects her professional background as she incorporates screen printing, painting, and glass fusing techniques. It is  evident that she takes pleasure in utilizing different mediums to create art, whether it is through drawing, painting, photography, or graphic design. Her focus on how these mediums interact with light indicates her passion for exploring the visual impact of her creations. Celina’s diverse background in traditional and contemporary glass processing techniques provides her with a wealth of knowledge and skills that she skillfully incorporates into her own artistic endeavors. 

The interview is part of Atelierul’s award offered during The Transparent Breath’s exhibition

1.  Celina, could you please tell me how you started your creative business? What was the starting point?

I’ve been working with glass professionally for over 25 years and have always done smaller creative side projects. But it wasn’t until my stay at Pilchuck Glass School in the United States in 2011 that I became more deeply involved with cold working, which inspired me to turn some glass pieces I had previously created into jewelry. My very first “Dream Lens” was in fact sold at an auction in Pilchuck and I have been developing and refining my techniques ever since.

Photography @mamapirate, Model Kira Habibi Lal

Photography @mamapirate, Model Kira Habibi Lal

2. “Unique Glass Art Jewelry and Glass Design” could you tell me what are your flagship products?

In my latest collection, rings have become the focal point. Their fitting, though significant, is carefully crafted to enhance the glass without overshadowing it. This intricate balance is achieved through close collaboration with skilled artisans, resulting in a seamless fusion of meticulous craftsmanship.

3. What are the values for your creations?

To me, quality and individuality are paramount. While many pieces may share a similar form, each one is unique, with its own distinct texture inside the glass and handcrafted without compromise. I take pride in engaging with every customer to accommodate their personal preferences wherever possible. On the technical side, I am always improving on my execution and researching new glass processing techniques. It is this constant pushing of the boundaries that drives the evolution of my creations.

Photography @mamapirate, Model Kira Habibi Lal

Photography @mamapirate, Model Kira Habibi Lal

4. “Jewelry is more than just an accessory – it’s a way to feel confident and empowered in your own skin” How is the process for the photo session for your collections?

I usually search for models myself and am always on the lookout for photographers who understand my vision. I love to collaborate with people from all over the world, which is why our team often consists of members from many different nations. When it comes to choosing models, I seek individuals who are mostly not professional models, representing a diverse range of backgrounds, age, and character. Uniqueness is something I approach with great consideration. The photo session itself is usually unscripted, I love exploring the connection between the model and my jewelry as we go, spontaneously discovering that “something” – ‘ the model’s eyes, like with the dancer Kira from Lviv, Ukraine, or the mature skin and radiance of Licia, which contrasts beautifully with the smoothness of the glass.

There were times in the past when I couldn’t be present at the photo shoots. Margo, an exceptional photographer, also took on the role of a model and conducted two sessions by herself. One of the remarkable outcomes was the cover photo for ‘Transparent Breath 2’ in Venice.

5. I love your series with experienced models, how did you start working with Licia Fertz – Accidentally Aged Model & Influencer?

We embarked on this “Accidentally Aged Model” journey together quite serendipitously. I first came across Licia on Instagram back in 2018 and decided to reach out. At the time, Licia already had a substantial following. I discussed my ideas with Elo Usai, her grandson, and Licia enthusiastically agreed to collaborate. This initial encounter took place shortly thereafter in 2019, a pivotal year for her as she made a remarkable recovery from a thigh fracture and celebrated her 89th birthday where I was warmly welcomed into. Her bond with Elo and their entire family is something I hold dear.

Photography: melbas Charlotte Poncin, Model Licia Fertz

Photography: melbas Charlotte Poncin, Model Licia Fertz

Photography: melbas Charlotte Poncin, Model Licia Fertz

Photography: melbas Charlotte Poncin, Model Licia Fertz

Photography: melbas Charlotte Poncin, Model Licia Fertz

6. How do you see glass art and jewelry in a more and more digitalized society?

Digitization has profoundly impacted various aspects of art. I strongly feel that traditional craftsmanship and modern technology are not in opposition to each other but can coexist harmoniously. Specifically, the advent of social networks allowed a wider audience to discover and appreciate almost all forms of artistry.  As far as Artificial Intelligence is concerned, it undoubtedly serves as a valuable tool, particularly in marketing. However, it’s crucial to note that AI complements rather than replaces the artistic touch of a human creator. The artist’s unique signature remains integral, imbuing each piece with its distinctive soul and character. In any case, I am excited to discover what the future holds!

7. I discovered your brand at the exhibition “The Transparent Breath”. How did you find exhibition experience? How do you prepare for an international exhibition?

I have participated in both editions of “The Transparent Breath”, and it has been a fantastic experience. The event is well-organized and professionally conducted. It takes place in a wonderful venue during the Venice Glass Week, providing an opportunity not only to showcase artworks but also to engage in meaningful discussions with artists and creators from all over the world. Eleonora, Lisa, and the whole team are very professional, supportive, and dedicated in making the event a success.

Photography Celina Szelejewska Pigulla

Photography Celina Szelejewska Pigulla

8. How do you deal with plagiarism? Did this happen to you?

Fortunately, I haven’t had to deal with plagiarism in my work. If it were to happen, I’m not sure whether I’d feel angry or honored. Thanks to the technology I use which I’ve been testing and refining for many years, it’s not easy for someone to replicate my glass creations. With artisan jewelry generally, I believe that one can always tell whether it is made with passion and attention to detail.

9. What advice can you give to someone wanting to start a creative business?

Building a creative business requires dedication and a lot of staying power, so you need to find joy in what you do even in difficult times. Focus on your work and be patient, flexible, and resilient. Don’t be discouraged, stay open-minded and keep learning. Embrace innovation and be willing to adapt to changes in your field. Seek guidance from experts. Try to build relationships within your industry. This can provide opportunities for collaboration, mentorship, and exposure.

Photography @mamapirate

The Transparent Breath, Photography @mamapirate

10. What does the future hold for your brand? What new collection are you planning?

I have numerous exciting plans for the future, and I’m hopeful that I can bring them to life. I would love to continue working both internationally and across different disciplines. For instance, the idea of incorporating my jewelry and glass elements into costume design in a dance-music video is intriguing to me.

11. Revista Atelierul (Atelierul Magazine) is a Romanian brand, do you know any Romanian creators, designers, jewelry makers that you admire?

I’m familiar with a few glass artists from Romania, and I truly admire their work. However, I must admit that I don’t know many Romanian brands, but I’m eager to change that! It is my hope that through my work I’ll have the opportunity to visit Romania and get to know the country and its art firsthand. I find it incredibly exciting to explore new personalities and fields, and Revista Atelierul is the perfect place to do so.

Photography Celina Szelejewska Pigulla

The images are send by Celina from her personal archive.

 

Comentarii

Mihaela Ion este manager cultural cu o experienţă de peste 17 ani în cadrul industriei creative şi culturale româneşti şi cu un doctorat în istorie. Pe lângă educaţia universitară dedicată istoriei artei, Mihaela s-a specializat în domeniul managementului cultural în Londra şi Paris prin bursele acordate acesteia, de către Fundaţia Gabriela Tudor şi Ministerul Culturii din Franţa. Este co-fondatoare a Revistei Atelierul (Asociaţia Atelierul de Creaţie) şi a proiectelor generate de această comunitate internaţională: "Creative Night Talks", "Noaptea albă a creatorilor şi designerilor de produs". Este evaluatoare independentă pentru diferiţi cofinanţatori publici. Curatoriază expoziţii în diferite galerii de artă şi spaţii de consum de artă, din România şi străinătate. Este International Board Member AICA (Asociaţia Internaţională a Criticilor de Artă) şi membră a departamentului de Digital Strategies a aceleiaşi asociaţii. https://mihaelaion.com/

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